It has been years since the world last saw Lucas Hill. In the aftermath of the first Siberia, the diamond dealer-turned-survivor simply… vanished. Rumors swirled — some claimed he was living under a false name, others whispered he’d met a violent end somewhere deep in the Russian wilderness. But in Siberia 2: Resurrection, audiences discover the truth: Hill has been alive all along, buried in the Arctic’s endless white, hiding from the world — and from himself.

It has been years since the world last saw Lucas Hill. In the aftermath of the first Siberia, the diamond dealer-turned-survivor simply… vanished. Rumors swirled — some claimed he was living under a false name, others whispered he’d met a violent end somewhere deep in the Russian wilderness. But in Siberia 2: Resurrection, audiences discover the truth: Hill has been alive all along, buried in the Arctic’s endless white, hiding from the world — and from himself.

Keanu Reeves slips seamlessly back into the role, this time portraying a man both hardened by years of isolation and scarred by the ghosts of his past. Life in exile has stripped him down to his instincts. But when Katya (Ana Ularu), the woman who once anchored him to humanity, is kidnapped, those instincts pull him back into a world he swore to leave behind.
Standing in his way is Dimitri Volkov, played with chilling precision by Scott Adkins. A former Russian special forces commander, Volkov is more than a villain — he’s a storm wrapped in muscle and fury, a man with an old vendetta and hands built to break bones. As leader of an underground diamond cartel, he wields power not just through violence, but through fear.
What follows is a relentless journey through the icy criminal underworld of Eastern Europe, where loyalties shift like blowing snow and death waits in every shadow. The stakes are as much personal as they are mortal: every fight forces Hill to confront not just Volkov, but the part of himself he tried to bury in the tundra.

Director Chad Stahelski brings his trademark touch to the sequel — bone-rattling hand-to-hand combat, shootouts that explode against stark winter backdrops, and set pieces that feel both cinematic and intimate. From frozen bunkers to gunfights atop speeding trains, each sequence carries the sting of cold air and the weight of history between two men on a collision course.
“Siberia 2: Resurrection” isn’t simply about survival; it’s about reckoning. It’s the story of a man who learns that you can walk away from the fight — but the fight won’t always walk away from you.

And as Reeves’ Lucas Hill steps out of the shadows for one final confrontation, one thing becomes certain: some ghosts refuse to stay buried.
Keanu Reeves slips seamlessly back into the role, this time portraying a man both hardened by years of isolation and scarred by the ghosts of his past. Life in exile has stripped him down to his instincts. But when Katya (Ana Ularu), the woman who once anchored him to humanity, is kidnapped, those instincts pull him back into a world he swore to leave behind.
Standing in his way is Dimitri Volkov, played with chilling precision by Scott Adkins. A former Russian special forces commander, Volkov is more than a villain — he’s a storm wrapped in muscle and fury, a man with an old vendetta and hands built to break bones. As leader of an underground diamond cartel, he wields power not just through violence, but through fear.
What follows is a relentless journey through the icy criminal underworld of Eastern Europe, where loyalties shift like blowing snow and death waits in every shadow. The stakes are as much personal as they are mortal: every fight forces Hill to confront not just Volkov, but the part of himself he tried to bury in the tundra.
Director Chad Stahelski brings his trademark touch to the sequel — bone-rattling hand-to-hand combat, shootouts that explode against stark winter backdrops, and set pieces that feel both cinematic and intimate. From frozen bunkers to gunfights atop speeding trains, each sequence carries the sting of cold air and the weight of history between two men on a collision course.
“Siberia 2: Resurrection” isn’t simply about survival; it’s about reckoning. It’s the story of a man who learns that you can walk away from the fight — but the fight won’t always walk away from you.
And as Reeves’ Lucas Hill steps out of the shadows for one final confrontation, one thing becomes certain: some ghosts refuse to stay buried.


